Poet Nimr bin adwan

 Nimr bin Adwan (died 1238 AH - 1823 CE) his nickname is Abu Aqab, and he is Nimr bin Qablan bin Nimer the first bin Hamdan bin Adwan bin Fayez bin Hammoud bin Shaheel bin Fawaz bin Hammoud Al-Adwani  Arab poet and leader of a tribe of desert east of the Jordan.  Bembla known for his generosity and his attributes benign.  Nimr belongs to the Jordanian Adwan clan, which was centered in central Jordan, which during a period of time was one of the leaders of the Balqa until it came to be said among the Balqa clans "Sheikh Al-Balqa Ibn Adwan", his wife Wadhha was from the Jordanian tribe of Bani Sakhr, specifically from the Sabila clan.  His marriage from sacrifice at first aroused the ire of his clan because it was from outside his tribe and also because it was from the Bani Sakhr clan that was outside the alliance of aggression, which included the aggression, the Balqawiya clans, the Salt clans and others on his side, and the Bani Sakhr and al-Abbad clans on the other side, which both parties were competing for influence in  Balqa areas and central Jordan in that period of time.

 Many poems are attributed to him until he is called the Prince of Jordan's poetry in the desert.  His poetry varies in subjects and has more than the poetry of remembrance of God, pride and spinning, but what remains distinguished by it is a collection of poems of mourning about his wife and sacrifice.  Perhaps the most famous of them is a poem attributed to him, the beginning of which is:

 Yesterday, on the Day of Creators, they slept as many times as they were

 Nimr bin Adwan won the admiration of many connoisseurs of poetry and researchers of folk literature in the circles of Arab capitals, as many researchers and scholars of folk literature wrote about him, and perhaps what attracted the attention of orientalists to his poetry were his passionate emotions towards his wife and how romantic and longing in the poetry of the Arab Badia embodied a difficult environment.  headache.  The German orientalist Tzstein wrote about him and his poems were translated into German, as well as an American orientalist wrote about him, translated selections of his poetry and published them in a German magazine.

 A series narrating the life of the first poet was filmed under the name Nimr Ibn Adwan in 1977 and it was presented in a new form in 2007 by the Arab Center for Audiovisual Services - Jordan, and it was broadcast during Ramadan of that year.

NAMIK KEMAL

 

POET of HOMELAND FREEDOM: NAMIK KEMAL

               Namık Kemal, known as the" poet of Homeland and freedom", was born in Tekirdağ in 1840. He was a poet,a journalist, a playwright and a statesman  His father was Mustafa Asim Bey and his mother was Fatma Zehra Hanım. His grandfather, Abdullatif Pasha, was closely interested in his education. Namık Kemal learned French, Persian and  Arabic at a very young age.

               In 1857, He joined Babiali Translation Chamber. Meanwhile, his name began to be heard in literary circles. At the age of 21, he became a member of the council, that is, the Academy of poets.

               The most important change in his life was that he met Shinasi. He wrote in Tasvir-I Efkar. At this time, he began to get to know Western literature more closely. After Shinasi went to France in 1865, he began to publish “Tasvir-I Efkar” alone.

               Because of an article he wrote, the newspaper was closed and he was appointed Governor of Erzurum. But Namik Kemal did not go to Erzurum and went to Paris with Ziya Pasha.

               After nearly three years in Europe, he returned to Istanbul. During these three years, he had the opportunity to observe Western literature more closely. When he returned to Istanbul, he started to publish a newspaper called "İbret".  He was exiled to Magosa in Cyprus for his play "Homeland or Silistre", which he wrote. He wrote many of his works during these exile years, which lasted 38 months.

               In 1876, when the amnesty was granted, he came to Istanbul. He became a member of the "Shura-Yi State" in the work of the new constitution.  In 1879 he was appointed mutasarrif of Mytilene.

Namik Kemal, who spent a significant part of his life in exile, passed away on December 2, 1888.

There is a historical house museum in Tekirdağ with his name. And hundreds of tourist visit in every year.

melek.ncb-rümeysa.ncb/ Süleymanpaşa Anatolian İmam Hatip High School/TURKEY

-Nicolae Dobrin- 

the portrait of an artist football player

 

                                                 

Nicolae Dobrin, also known as ”the Goose” or ”Prince of  Trivale”, was a famous Romanian football player, born in our city, Pitesti, on August 26, 1947.

The history of Romanian football keeps him as one of the greatest Romanian footballers, a master of dribbling and slitting, a model in the execution of passes and free kicks. He was elected three times the best football player in Romania, in 1966, 1967 and 1971.

Date of birth: August 26, 1947, Pitesti

Post: offensive midfielder

Player career: FC Argeş Piteşti, CS Târgovişte, FC Botoşani

Division A: 409 matches / 111 goals

National team: 47 matches / 6 goals

Palmares: two titles (1972, 1979), was named three times the best football player in Romania (1966, 1967, 1971)

Coaching career: FC Argeş Piteşti, FC Botoşani, "Viitorul" Olympic Center, "Nicolae Dobrin" Football School.

In Division A he trained only in Piteşti, gathering 138 matches on the bench.

He started in the first division at the age of 14 years and 10 months, in a match Știința Cluj - Dinamo Pitești, showing special technical-tactical qualities. He evolved almost his entire career for the FC Argeș Pitești team, with which he won two national champion titles, in 1972 and 1979. Dobrin contributed decisively to winning the title in 1979, scoring in extra time the goal of Argeș's victory in front of the opponents from Dinamo Bucharest . In one year, 1981 - 1982, he played for another team, CS Târgoviște, although he had offers from the universities Universitatea Craiova and Dinamo București. He participated in 409 matches in the first national division, scoring 111 goals. The last match in the first league was FC Argeș - FC Bihor 2-0, on June 14, 1983. In the '85 -'86 season, he was the coach-player at CS Botoșani, at the Moldavian club really retiring from his career the football player.

He made his national team debut at the age of 19, on June 1, 1966, in the football match RFG - Romania, which ended with a score of 1-0. He wore the Romanian national team jersey 48 times, scoring for it six times. The last match for the national team was during the match Romania - GDR, played on April 2, 1980. He qualified, together with the Romanian national football team, for the World Cup in Mexico, 1970, where he did not play a single minute, due to a conflict with coach Angelo Niculescu.

Nicolae Dobrin is also known for missing a transfer to Real Madrid. After playing against the Spaniards in the Champions League, scoring a goal, Santiago Bernabéu, the famous president of Madrid, was so impressed by Dobrin's qualities that he would be willing to offer 2 million dollars to transfer him, a huge amount for those times. Due to the regime in Romania, the Bernabeu had to have discussions with Nicolae Ceausescu himself, but he failed to convince him, because according to official propaganda, Dobrin was a "national good" and could not be "alienated". It was said that it was the biggest regret in Dobrin's life, although he participated in Francisco Gento's retirement match, in the famous "blanco" shirt of Real Madrid, on which occasion the Santiago Bernabeu made one last unsuccessful attempt to keep the Romanian player in Madrid.

He died on October 26, 2007. He was decorated, post mortem, with the National Order "Faithful Service" in the rank of Knight, for his entire career as a footballer.

http://web.archive.org/web/20071028152409/http://www.iht.com/articles/ap/2007/10/26/sports/EU-SPT-SOC-Obit-Dobrin.php

In his honor, the municipal stadium in Pitesti received his name, and on the official jersey of the current football team of Pitesti is his portrait.

His way of playing football has influenced many generations of players, including Gherghe Hagi and Adrian Mutu, the last one, also born in Pitesti.

Albert C/Adriano M/ROMÂNIA/Școala Gimnazială ”Mircea cel Bătrân” Pitești

Yusuf Atılgan

Atılgan was born in 1921 in Manisa. With the invasion of Manisa (September 1922) by the Greeks, his family migrated to Hacırahmanlı from the mountainous region where they lived. After graduating from Necâti Bey Primary School and Balıkesir High School in this city, Atılgan moved to Istanbul and enrolled in the Department of Turkish Language and Literature at Istanbul University Faculty of Literature. Here he was a student of names such as Ahmet Hamdi Tanpınar, Reşid Rahmeti Arat, Ali Nihat Tarlan, Ragıp Hulusi Özdem and Halide Edib Adıvar.Atılgan was detained for a while for participating in leftist student movements during his university years. He then completed his dissertation and graduated. He worked as a literature teacher at Maltepe Military High School in Akşehir for a year. Afterwards he returned to Hacırahmanlı village (1946). [4] The death of his father, his work on the farm, and his marriage in 1949 followed one after the other. He returned to literature in 1952, renouncing his work in the village.He returned to literature in 1952, renouncing his work in the village. He participated in the story contest initiated by Tercüman in 1954 with the two stories he sent with the signatures of "Ziya Atılgan" and "Nevzat Çorum" and gave his first literary works, and in this competition, he came first with his story called Evdaki and seventh with Kümesin Ötesi. He also came second in the Yunus Nadi Novel Prize with the Aylak Adam (1958), who identified with him, and became widely known. Later, he showed his competence in the field of stories in the magazine Varlık ve a. [5] When it came to 1973, he wrote his second novel, Motherland Hotel. He married the theater actor Serpil Gence for the second time (1974), when he had difficulty in making a living. [6] While he was a proofreader at various publishing houses, he also made some translations.1987 was an important year in his recognition. Because Anayurt Hotel was transferred to the cinema by Ömer Kavur with the same name. [8] The death of Atılgan was due to a heart attack on October 9, 1989, while he was working in Canistan, after the following illnesses. He was buried in Bülbülderesi Cemetery after the funeral prayer in Moda Mosque.Novelism Although Atılgan left behind a small corpus in general, he managed to influence the next generations in Turkish literature. [10] Reşat Nuri Güntekin's "musk" (see. Miskinler Tekkesi) turns into the "Aylak Adam" in his first novel with the character C. In this novel, human and city life is given with a psychological approach and the concept of alienation, loneliness and family is examined. There are those who see this as a rebellion, and it is possible to set it on the same plane with another cult novel, The Unstoppable. The character of Zebercet in Anayurt Hotel is a product of human typology trying to make sense of the moment he lived. This interpretation takes place on the axis of loneliness, love and sexuality with the question of "why and why I live".In Canistan, events and places are completely different. This time, the author returns to the time he was born and to the geography. In this novel, he tries to reflect his period with events, places and local dialects as well as traces from his own life. After the copyrights of the author's works were transferred from YKY to Can Yayınları, Can Yayınları published the work titled 'Let You Live Comfortably', which includes samples from Atılgan's handwritten notes, poems, translations and short stories left in magazines. The book also included the introduction of the novel "The Magpie on the Donkey's Back" that the author destroyed.

Yusuf kaan K./Dilek Şahin/50. Yıl secondary school

Raif Hikmet Çam

 

Born on January 1, 1946 in Salihli, master actress Raif Hikmet Çam stepped into the television world with the series called Play, which was broadcast in 1977.

Having stepped into professional theater life in 1965 thanks to Ankara Başkent Theater, Çam worked at Ankara Mithatpaşa Theater between 1967-72. Later, the actor, who worked in the Meydan Theater and Sister Players, respectively, between 1975 and 1977, both acted and served as a board member at the oKayseri Municipality City Theater. Joining the State Theater in 1978, the actor has started to work as an artist in Adana State Theater since then. The highest budget project in which the player took part was Conquest 1453, dated 2012.

The master player, who retired after performing Aziz Nesin's play Yaşar Ne Yaşar Ne Yaşamaz in 2011, passed away on April 8, 2015.

Ayşenaz Y./Dilek Şahin /50. Yıl secondary school

Maria Callas

 MARIA CALLAS

 

Maria Callas was an American-born Greek soprano. She was one of the most renowned and influential opera singers of the 20th century. She was born in Manhattan to Greek immigrant parents. She had one sister named Jackie and a brother who died from meningitis. She had her education in Greece at age 13, later she established her career in Italy. Her repertoire ranged from classical opera seria to the bel canto operas. 

The relationship with her mother was something that became a matter of great public interest. It is said that she perceived as a kind of prostitution forced on her by her mother during the World War II, when the family was in a bad economical conditionals. In public, Callas blamed the strained relationship with her mother on her unhappy childhood spent singing and working at her mother's insistence, saying:

"My sister was slim and beautiful and friendly, and my mother always preferred her. I was the ugly duckling, fat and clumsy and unpopular. It is a cruel thing to make a child feel ugly and unwanted... I'll never forgive her for taking my childhood away. During all the years I should have been playing and growing up, I was singing or making money. Everything I did for them was mostly good and everything they did to me was mostly bad."

After several appearances as a student, Callas began appearing in secondary roles at the Greek National Opera. De Hidalgo was instrumental in securing roles for her, allowing Callas to earn a smallsalary, which helped her and her family get through the difficult war years.  Callas made her professional debut in February 1941, in the small role of Beatrice in Franz von Suppé's Boccaccio. Following these performances, even Callas's detractors began to refer to her as "The God-Given".

After returning to the United States in September 1945, Callas made the round of auditions. In December of that year, she auditioned for Edward Johnson, general manager of the Metropolitan Opera, and was favorably received: "Exceptional voice—ought to be heard very soon on stage". Callas maintained that the Met offered her Madama Butterfly and Fidelio, to be performed in Philadelphia and sung in English, both of which she declined, feeling she was too fat for Butterfly and did not like the idea of opera in English. In 1946, Callas was engaged to re-open the opera house in Chicago as Turandot, but the company folded before opening. Basso Nicola Rossi-Lemeni, who also was to star in this opera, was aware that Tullio Serafin was looking for a dramatic soprano to cast as La Gioconda at the Arena di Verona. He later recalled the young Callas and he recommended her to retired tenor and impresario Giovanni Zenatello. During her audition, Zenatello became so excited that he jumped up and joined Callas in the act 4 duet. It was in this role that Callas made her Italian debut. She had a huge career in Italy. Some of her greatest debuts were:

• Teatro alla Scala in Milan. 

• La Scal  in Verdi's  

• Teatro Colón in Buenos Aires

• Royal Opera House in Norma 

Callas's voice was and remains controversial; it bothered and disturbed as many as it thrilled and inspired. Her voice has been difficult to place in the modern vocal classification or Fach system, especially since in her prime, her repertoire contained the heaviest dramatic soprano roles as well as roles usually undertaken by the highest, lightest and most agile coloratura sopranos. Callas's voice was noted for its three distinct registers: Her low or chest register was extremely dark and almost baritonal in power, and she used this part of her voice for dramatic effect, often going into this register much higher on the scale than most sopranos. In the opinion of several singers, the heavy roles undertaken in her early years damaged Callas's voice.

In 1957, while still married to husband Giovanni Battista Meneghini, Callas was introduced to Greek shipping magnate Aristotle Onassis at a party given in her honor by Elsa Maxwell after a performance in Donizetti's Anna Bolena. The affair that followed received much publicity in the popular press, and in November 1959, Callas left her husband. The relationship ended two years later in 1968, when Onassis left Callas in favor of Jacqueline Kennedy. Callas spent her last years living largely in isolation in Paris and died of a heart attack at age 53 on September 16, 1977.

Nowadays many opera galas and festivals are being held on her honor, not only in Greece but also worldwide. These are some photos from a festival in Greece:

  

 

Elena Maglara 

Melina Merkouri

             MELINA MERCOURI

 

Melina Mercouri was born in Athens, Greece on October 18, 1920. An early woman activist, she was elected to the Greek Parliament in 1977. Later Miss Mercouri was to become the first woman to hold a Senior cabinet post "Minister of Culture" in the Greek government. In 1971 she wrote her autobiography titled "I Was Born Greek." Melina wed actor Jules Dassin in 1966 and remained married to him until her death in 1994. Melina Mercouri died of lung cancer in New York City, on March 6, 1994.

 

  

 

 

 

Acting career

Early years on stage

• After her graduation, Mercouri joined the National Theatre of Greece and played the role of Electra in Eugene O'Neill's play Mourning Becomes Electra in 1945. In 1949, she had her first major success in the theatre playing Blanche DuBois in A Streetcar Named Desire, written by Tennessee Williams and staged by Karolos Koun's Art Theatre. Until 1950, she also worked in the same theatre in other plays by Aldous Huxley, Arthur Miller and André Roussin.

 

• Mercouri then moved to Paris, where she appeared in boulevard plays by Jacques Deval and Marcel Achard, and met famous French playwrights and novelists such as Jean Cocteau, Jean-Paul Sartre, Colette and Françoise Sagan. In 1953, Mercouri received the Marika Kotopouli Prize.

 

• Mercouri returned to Greece in 1955. At the Kotopouli-Rex Theatre, Mercouri starred in Macbeth by William Shakespeare and L'Alouette by Jean Anouilh.[citation needed]

 

 

International success

Mercouri's first movie was the Greek language film Stella (1955), directed by future Zorba the Greek director Michael Cacoyannis. The film received special praise at the 1956 Cannes Film Festival, where she met American film director Jules Dassin, with whom she would share not only her career but also her life. Their first professional pairing was 1957's He Who Must Die. Other films by Dassin and featuring Mercourifollowed, such as The Law (1959).

Mercouri became well-known to international audiences when she starred in Never on Sunday (1960), of which Dassin was the director and co-star. For this film, she earned the Best Actress Award at the 1960 Cannes Film Festival and was nominated for the Academy Award for Best Actress and the BAFTA Award for Best Actress in a Leading Role.[2]

 

After her first major international success, Mercouri went on to star in Phaedra (1962), for which she was nominated again for the BAFTA Award and the Golden Globe Award for Best Actress in Motion Picture Drama. The recognition of her acting talent did not stop though, as her role in Topkapi (1964) granted her one more nomination, this time for the Golden Globe Award for Best Actress in Motion Picture Musical or Comedy. Mercouri worked with such directors as Joseph Losey, Vittorio De Sica, Ronald Neame, Carl Foreman, Norman Jewison, and starred in films like Spanish language The Uninhibited by Juan Antonio Bardem.

 

Mercouri continued her stage career in the Greek production of Tennessee Williams's Sweet Bird of Youth (1960), under the direction of Karolos Koun. In 1967, she played the leading role in Illya Darling (from 11 April 1967 to 13 January 1968) on Broadway,[3] for which she was nominated for the Tony Award for Best Performance by a Leading Actress in a Musical. Mercouri's performance in Promise at Dawn (1970) earned her another Golden Globe Award nomination.

 

• Was nominated for Broadway's 1968 Tony Award as Best Actress (Musical) for "Illya, Darling," a musicalization of the film Ποτέ την Κυριακή (1960) in which she played the same role.

• A member of the Pan-Hellenic Socialist movement.

• Elected to the Greek Parliament in 1977.

• Served as Greece's Minister of Culture from 1981 to 1990.

• Ran for mayor of Athens in 1990, but was defeated.

Involvement in politics

After the fall of the Junta and during the metapolitefsi in 1974, Mercouri settled in Greece and was one of the founding members of the Panhellenic Socialist Movement (PASOK), a centre-left political party. She was a member of the party's Central Committee and a rapporteur for the Culture Section, while being involved in the women's movement as well.

 

Death

Mercouri died on 6 March 1994 at Memorial Sloan Kettering Cancer Center, New York City, from lung cancer.[14] She was survived by her husband, Jules Dassin. She had no children. She received a state funeral with Prime Minister's honors at the First Cemetery of Athens four days later. The Melina MercouriFoundation was founded by her widower. After her death, UNESCO established the ‘Melina Mercouri International Prize for the Safeguarding and Management of Cultural Landscapes (UNESCO-Greece)' which rewards outstanding examples of action to safeguard and enhance the world's major cultural landscapes.

 

Tribute

The song "Melina" by Camilo Sesto (from the 1975 album "Amor libre") is dedicated to Melína Merkoúri.

 

 

 

 

 

 

"I was born Greek and I would die Greek. Mr. Pattakos was born a dictator and he will die     as a dictator."

(Her reply to the fact that the Military dictatorship in Greece (1967-1974) in Greece had proclaimed that she was no longer a Greek citizen.)

-Christiana Merkouri

Dionisios Solomos

 Dionysios Solomos

 

 

Erken yaşam ve çalışmalar

 

•  1798 yılında Zakynthos'ta doğan Dionysios Solomos, Nikolaos Solomos ve kahyası  Angeliki Nikli'nin çocuğuydu. Ailesi  , 1670 yılında Zakynthos'a  yerleşen Giritli mültecilerdi  . Babası yasal olarak 1802'de ölen Marnetta Kakni ile evlendi ve Dionysios'un annesiyle ölümünden bir gün önce evlendi. Şair, İtalyan hocası başrahip Santo Rossi'nin gözetiminde, çocukluk yıllarını 1808 yılına kadar Zakynthos'ta geçirdi. Annesi 1808 yılında Ağustos 1807 15 Manolis Leontarakis evli ise babasının ölümünden sonra Dionysios'la Messalas Solomos' velayet kazanmış saymak, Mesala s gönderileceği ile  Solomos  İtalya'ya  çalışma yasasına olarak İon asalet ile alışılmış oldu.  Solomon, 1817'de mezun olduğu Pavia Üniversitesi  Hukuk Fakültesi'ne kaydoldu  . 

•  10 yıllık çalışmalardan sonra , Solomon  1818'de literatür çalışmaları ile Zakynthos'a döndü ve Antonios Matesis ( Vasilikos'un yazarı  ), Georgios Tertsetis, Dionysios Tagiapieras (bir doktor ve destekçisi) gibi  tanınmış yazarlarla  tanıştı .  dimotiki ve ayrıca Ioannis Vilaras'ın bir arkadaşı) ve Nikolaos Lountzis.  Solomos, İtalyan şiirlerinin yanı sıra, İtalyanca çalışmaları nedeniyle kendisi için çok zor bir görev olan Yunanca yazmaya ilk girişimlerini yaptı. Dil becerilerini geliştirmek için okumaya başladı.    yöntemsel olarak demotik şarkılar, solom öncesi şairlerin eserleri ve o dönemde demotik lehçenin modern  Yunan edebiyatında kullanımının en iyi örneklerini oluşturan popüler ve Girit  edebiyatı.

•  Solomos'un 1822'de Spyridon Trikoupis ile  karşılaşması  , yazılarında bir dönüm  noktasıydı.

 

Trikoupis şunları söyledi: 

    « Şiirsel yeteneğiniz size İtalyan Parnassus'ta seçkin bir yer ayırıyor. Ama oradaki ilk yerler çoktan alındı. Yunan Parnassus henüz yok Dante . »       

         

         

                                                                

Ben Solomos Rum eserlerinde dönüm noktaları mportant

•  En etkileyici eseri  olan Özgürlük İlahisi  Mayıs 1823'te tamamlandı ve 1821 Yunan devriminden esinlendi. Şiir ilk olarak 1824'te işgal altındaki Mesolongi'de ve daha sonra 1825'te Paris'te Fransızcaya çevrildi ve daha sonra diğer dillerde de. Bu, şairin ününün Yunanistan sınırlarından uzak olmasına neden oldu.  Bu  verimli dönem gibi birçok şaşırtıcı şairler sonuçlandı  thanato tou Lordou Byron için Odi eis  -  Lord Byron ölümüne Ode , o Marşı ile ortak noktası çok şey değil, aynı zamanda birçok zayıflıkları vardır  ben Katastrofi ton Psaron  -  Psara en İmha ,  O Diyaloglar  -  Diyalog  (dile atıfta bulunarak) ve  ben Gynaika tis Zakynthos  -  Zakynthoslu Kadın .

• Kardeşi Dimitrios ile miras meseleleriyle ilgili sürtüşmeler ve ekonomik tartışmalardan sonra Solomos , o yıllarda İyonya adalarının en önemli entelektüel merkezi olan Korfu'ya taşınır  . Ancak Dionysios, Zakynthos'u yalnızca ailesinin sorunları yüzünden terk etmedi ; Solomos 1825'ten beri adayı ziyaret etmeyi planlıyordu. 

•  1833 ile 1838 arasında ailesi, babasının geride bıraktığı devasa mirası eşit olarak bölmeye çalışırken birçok sorundan muzdaripti.

                                                            

 

Hayatının son yılları

 

•  1847'den sonra Solomos bir kez daha İtalyanca yazmaya başladı. Bu döneme ait eserlerin çoğu  , belki şairin Yunancaya çevirmeyi planladığı yarı bitmiş şiir ve düzyazı taslaklarıdır  . 1851'de ciddi sağlık sorunları ortaya çıktı ve Solomos'un karakteri daha da sinirlendi. Kendisini Polylas gibi arkadaşlarından uzaklaştırdı  (1854'te birbirleriyle anlaştılar ) ve üçüncü vuruşundan sonra şair evini terk etmedi. Solomos Şubat 1857'de  apopleksiden öldü . Şöhreti o kadar yüksek seviyelere ulaşmıştı ki, ölüm haberi öğrenildiğinde herkes yas tuttu. Korfu tiyatrosu kapandı, İyonya Parlamentosuoturumlar ertelendi ve yas ilan edildi. Kalıntıları 1865'te Zakynthos'a transfer edildi .

  

                     

Diğer önemli edebiyat eserleri

• Nekriki Odi-Cenaze Ode  

• Poiima lyrikon eis  tou thanato tou Lord Byron-Lirik şiir "Lord Byron'ın ölümüne (1824)   

•   Eis monachin - Bir rahibeye (1829)

•   Eis Marko Botsari-To Markos Botsaris (1823)

•   Psaron tonunu katastrofi-Psara'nın yıkımı (1824)

•   thanato kyrias Agglidas'a Eis - İngiliz bayanın ölümüne

•   Farmakomeni-Zehirli (1826)

•   Farmakomeni Adi'yi taşlıyorum - Hades'te zehirlenmiş

•   Lampros (1829)

 

✓  Kaynak

➔ https://en.wikipedia.org/wiki/Dionysios_Solomos

 

 Iphigeneia Krontiri